![]() Postmasters has long been an early adopter of non-traditional artwork focused on technological change. “But at that point, it became very clear to me that given our predilection for experiments and art that is not fully embraced by the market, it would be an incredibly heavy burden to carry a space at those prices,” she said. “You could put a tracker on us and it would point out the art neighborhoods of New York City, starting from the 80s.”Īfter opening Postmasters in Manhattan’s East Village, the contemporary art gallery moved to Soho in 1989 and then left the “gentrified, crowded neighborhood” nearly a decade later to set up shop in Chelsea, according to Sawon. The gallery saturation in some Manhattan neighborhoods has always been an issue for Postmasters, according to Sawon, who grew up in Warsaw, Poland, where she earned a master’s degree in art history before moving to the U.S. ![]() Jen Catron and Paul Outlaw’s A Lamp for your Home (die, live) (2023), at Postmasters Gallery’s Machine Violence exhibition. “I think I would be bored to death not doing this.” While the untraditional move has caused logistical challenges for the gallery and has been a tough change to embrace for some of its artists, Sawon claims the transition to the roving model has been an exciting change. Since the gallery lost its Tribeca space in August, it has rented buildings across the city in order to hold pop-up exhibitions.
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